When our eyes no longer see : (Record no. 331)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03284cam a2200277 a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OCoLC |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 210203s2008 mau b 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780674027947 |
| International Standard Book Number | 0674027949 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)175286414 |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PL726.55 |
| Item number | .G65 2008 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Golley, Gregory, |
| Dates associated with a name | 1964- |
| 245 10 - TITLE STATEMENT | |
| Title | When our eyes no longer see : |
| Remainder of title | realism, science, and ecology in Japanese literary modernism / |
| Statement of responsibility, etc. | Gregory Golley. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Cambridge, Mass. : |
| Name of publisher, distributor, etc. | Published by the Harvard University Asia Center : |
| -- | Distributed by Harvard University Press, |
| Date of publication, distribution, etc. | 2008. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xii, 394 p. |
| 490 1# - SERIES STATEMENT | |
| Series statement | Harvard East Asian monographs ; |
| Volume/sequential designation | 296 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The Revolt against Positivism -- Science and Sensibility -- Art and Accuracy -- Language and the Politics of Realism -- The Things of This World -- Part I Art, Empire - 1. Erotic Science: Realism and Aesthetics in the Fiction of Tanizaki Jun'ichiro -- Surface and Depth -- Pornographic Realism -- Truth in Advertising -- Erotic Science - 2. A Dark Ecology: Yokomitsu Riichi's Universe -- When Was Shanghai? -- A Dark Ecology -- Mapping the Empire -- The Fourth Person -- Part II Earth, Stars - 3. Things Near and Far Away: Geometry and Ethics in the Stories of Miyazawa Kenji -- You Are Here -- Society and the Fourth Dimension -- Space Is Not Empty -- The Ethics of Realism - 4. The Wild and the Cultivated: Kenji, Darwin, and the Rights of Nature -- The Wild and the Cultivated -- The Sacramental Economy -- The Border Country -- Progress and the Struggle for Existence - 5. Brethren in Pain: Beauty, Objectivity, and the Lives of Bears -- The Accurate and the Beautiful -- Love and Objectivity. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | As industrial and scientific developments in early-twentieth-century Japan transformed the meaning of "objective observation," modern writers and poets struggled to capture what they had come to see as an evolving network of invisible relations joining people to the larger material universe. For these artists, literary modernism was a crisis of perception before it was a crisis of representation. When Our Eyes No Longer See portrays an extraordinary moment in the history of this perceptual crisis and in Japanese literature during the 1920s and 1930s. The displacement in science of "positivist" notions of observation by a "realist" model of knowledge provided endless inspiration for Japanese writers. Gregory Golley turns a critical eye to the ideological and ecological incarnations of scientific realism in several modernist works: the photographic obsessions of Tanizaki Jun'ichiro's Naomi, the disjunctive portraits of the imperial economy in Yokomitsu Riichi's Shanghai, the tender depictions of astrophysical phenomena and human-wildlife relations in the children's stories of Miyazawa Kenji. Attending closely to the political and ethical consequences of this realist turn, this study focuses on the common struggle of science and art to reclaim the invisible as an object of representation and belief. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Japanese literature |
| Chronological subdivision | 20th century |
| General subdivision | History and criticism. |
| Topical term or geographic name entry element | Modernism (Literature) |
| Geographic subdivision | Japan. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Harvard East Asian monographs ; |
| Volume/sequential designation | 296. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Library of Congress Classification |
| Koha item type | Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Permanent Location | Current Location | Shelving location | Date acquired | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Punsarn Library | Punsarn Library | General Stacks | 17/06/2021 | PL726.55 .G65 2008 | PNLIB21060145 | 17/06/2021 | 17/06/2021 | Books |
