MARC details
| 000 -LEADER |
| fixed length control field |
03870cam a2200385 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
OCoLC |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
| fixed length control field |
ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
210208s2020 iluacgh b 001 0deng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9780226750712 (pbk.) |
|
| International Standard Book Number |
022675071X (pbk.) |
|
| International Standard Book Number |
9780226750682 |
|
| International Standard Book Number |
022675068X |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)1143628895 |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
ML423.B68 |
| Item number |
N33 2020 |
| 245 00 - TITLE STATEMENT |
| Title |
Nadia Boulanger and her world / |
| Statement of responsibility, etc. |
edited by Jeanice Brooks. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
| Place of publication, distribution, etc. |
Chicago : |
| Name of publisher, distributor, etc. |
The University of Chicago Press, |
| Date of publication, distribution, etc. |
2020. |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
xvi, 364 p. : |
| Other physical details |
ill., port., music, facsimiles. |
| 490 1# - SERIES STATEMENT |
| Series statement |
The Bard music festival |
| 500 ## - GENERAL NOTE |
| General note |
Several contributions translated from French. |
|
| General note |
Includes some texts by Nadia Boulanger. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
| Formatted contents note |
Preface : The only woman in the picture -- The strange fate of Boulanger and Pugno's La ville morte / Alexandra Laederich -- Serious ambitions : Nadia Boulanger and the composition of La ville morte / Jeanice Brooks, Kimberly Francis -- From the trenches : extracts from the final issue of the Paris Conservatory Gazette / translated by Anna Lehman -- From technique to musique : the institutional pedagogy of Nadia Boulanger / Marie Duchêne-Thégarid -- Nadia Boulanger's 1935 Carte du tendre -- 36 rue Ballu : a multifaceted place / Cédric Segond-Genovesi -- "What an arrival!" : Nadia Boulanger's New world (1925) -- Modern French music : translating Fauré in America, 1925-1945 / Jeanice Brooks -- For Nadia Boulanger : five poems by May Sarton -- Friend and force : Nadia Boulanger's presence in Polish musical culture / Andrea F. Bohlman, J. Mackenzie Pierce -- "What awaits them now?" : a letter to Paris / Zygmunt Mycielski -- A letter from Professor Nadia Boulanger / translated by J. Mackenzie Pierce -- The Beethoven lectures for the Longy School / translated by Miranda Stewart -- Boulanger and atonality : a reconsideration / Kimberly Francis -- Why music? Aesthetics, religion, and the ruptures of modernity in the life and work of Nadia Boulanger / Leon Botstein. |
| 520 ## - SUMMARY, ETC. |
| Summary, etc. |
"Nadia Boulanger (1887-1979) was arguably one of the most iconic figures in twentieth-century music, and certainly the most prominent woman musician of her time. Her reputation was such that for any composer, but especially American composers--from Aaron Copland to Philip Glass--a pilgrimage to Paris to study with her was obligatory. But how to define and account for Boulanger's impact on the music world is still unclear. Composer, performer, conductor, impresario, as well as a teacher of great personal charisma and inspirational effect, Boulanger engaged in a vast array of activities in a variety of media, from composition to performance, from private lessons and lecture-recitals to radio broadcasts, conducting, and recording. Her life takes us from a time in the late nineteenth century when it was hardly conceivable for a woman to make a career in music to the moment in the late twentieth century when those careers were imaginable, thanks in great part to the example of Boulanger and others of her generation. Ultimately, this volume takes its title as a topic for exploration-looking at the geography of transatlantic and international exchange and disruption within which her career unfolded and asking what worlds Boulanger belonged to, and in what sense we can consider any of them to be "hers.""-- |
| 600 14 - SUBJECT ADDED ENTRY--PERSONAL NAME |
| Personal name |
Boulanger, Nadia |
| General subdivision |
Criticism and interpretation. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Music |
| Geographic subdivision |
France |
| Chronological subdivision |
20th century |
| General subdivision |
History and criticism. |
|
| Topical term or geographic name entry element |
Women musicians |
| Geographic subdivision |
France. |
|
| Topical term or geographic name entry element |
Women music teachers |
| Geographic subdivision |
France. |
|
| Topical term or geographic name entry element |
Women composers |
| Geographic subdivision |
France. |
|
| Topical term or geographic name entry element |
Women conductors (Music) |
| Geographic subdivision |
France. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Brooks, Jeanice. |
|
| Personal name |
Boulanger, Nadia. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
| Uniform title |
Bard Music Festival series. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Books |