Pippin, Robert B.,  1948- <br/><br/>
Filmed thought :  cinema as reflective form / 
Robert B. Pippin. 
 - Chicago :  University of Chicago Press,  2020. 
 - 271 p., 32 unnumbered p. of plates :  col. ill. 
<br/><br/>Includes bibliographical references and index. 
<br/><br/>Section I Cinema as reflective form -- Cinematic reflection -- Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations -- Section II Moral variations -- Devils and angels in Pedro Almodóvar's Talk to Her -- Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Section III Social pathologies -- Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? -- Love and class in Douglas Sirk's All That Heaven Allows -- Section IV Irony and mutuality -- Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar -- Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Section V Agency and meaning -- Vernacular metaphysics: on Terrence Malick's The Thin Red Line -- Psychology degree zero? the representation of action in the films of the Dardenne Brothers. 
<br/><br/><label>ISBN: </label>9780226672007 (pbk.) 022667200X (pbk.) 
<br/><br/><label>LCCN: </label>2019014786 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Motion pictures--History and criticism.--United States<br/>Motion pictures--Aesthetics.
<br/><br/><label>LC Class. No.: </label>PN1993.5.U6  / P57 2020