| 000 | 01799cam a2200289Ii 4500 | ||
|---|---|---|---|
| 001 | ocn794816874 | ||
| 003 | OCoLC | ||
| 007 | ta | ||
| 008 | 210323s2012 enka b 001 0 eng d | ||
| 020 | _a9781856698993 | ||
| 020 | _a1856698998 | ||
| 035 | _a(OCoLC)794816874 | ||
| 050 |
_aN380 _b.D35 2012 |
||
| 100 | 1 | _aD'Alleva, Anne. | |
| 245 | 1 | 0 |
_aMethods & theories of art history / _cAnne D'Alleva. |
| 246 | 1 | _aMethods and theories of art history | |
| 250 | _a2nd ed. | ||
| 260 |
_aLondon : _bLaurence King Publishing, _c2012. |
||
| 300 |
_avi, 186 p. : _bill. |
||
| 500 | _aPrevious edition: 2004. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aThinking about theory -- The analysis of form, symbol, and sign -- Art's contexts -- Psychology and perception in art -- Taking a stance toward knowledge -- Writing with theory. | |
| 520 | _aArt historical theory is a forum of intense, often passionate debate. This book provides an accessible introduction to the range of critical theories used in analyzing art. It covers a broad range of approaches, presenting individual arguments, controversies, and divergent perspectives. This second edition has been updated to reflect recent scholarship in contemporary art. The book begins by introducing the concept of theory and explains why it is important to art historical practice. Each of the book's four core chapters presents a group of related approaches that are discussed and applied to one or more works of art. The book ends with some practical ideas about writing theoretically driven art history papers. Clearly written, this book is ideal for the undergraduate student or anyone interested in the world of ideas. | ||
| 650 | 4 |
_aArt _xHistory _xMethodology. |
|
| 650 | 4 | _aArt criticism. | |
| 942 |
_2lcc _cBK |
||
| 999 |
_c1086 _d1086 |
||