000 02183cam a2200205Mi 4500
001 on1182000331
003 OCoLC
007 ta
008 210429r20202016enk e 000 1 eng
020 _a9780349701493 (paperback)
020 _a0349701490 (paperback)
035 _a(OCoLC)1182000331
090 _aFic
_b.B4714M68 2020
100 1 _aBennett, Brit.
245 1 4 _aThe mothers /
_cBrit Bennett.
260 _aLondon :
_bDialogue Books,
_c2020.
300 _a278 p.
520 _aSet within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret. "All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season." It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance-- and the subsequent cover-up -- will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt. In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.
942 _2local
_cBK
999 _c2357
_d2357