000			02002nam a2200325Ia 4500
001			on1249268870
003			OCoLC
007			ta
008			210503r20202018enka b 001 0 eng d
020			_a9780367735005
020			_a0367735008
035			_a(OCoLC)1249268870
040			_aTULIB _beng _cTULIB
050			_aPR3069.C555 _bG43 2020
100	1		_aGearhart, Stephannie S.
245	1	0	_aDrama and the politics of generational conflict in Shakespeare's England / _cStephannie S. Gearhart.
260			_aAbingdon, Oxon ; _aNew York, NY : _bRoutledge, _c2020.
300			_a180 p. : _bill.
490	1		_aStudies in performance and early modern drama
500			_aReprint. Originally published: 2018.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: historicizing generational conflict -- Youth. Blood vs. manners: youth's quest for independence in The merchant of Venice -- Familial contracts: financial inheritance in the plays of Jonson and Middleton -- Elders. "The very latest counsel that ever I shall breathe": 2 Henry IV, Hamlet, and ideological inheritance -- Old fools and serpents' teeth: defining age and the terms of the parent-child relationship in King Lear -- Conclusion: a difficult age.
520			_aDrama and the Politics of Generational Conflict in Shakespeare's England examines the intersection between art and culture and explains how ideas about age circulated in early modern England. Stephannie Gearhart illustrates how a variety of texts - including drama by Shakespeare, Jonson, and Middleton - placed elders' and youths' voices in dialogue with one another to construct the period's ideology of age and shape elder-youth relations.
600	1	4	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation.
650		4	_aConflict of generations in literature.
650		4	_aYouth in literature.
650		4	_aOld age in literature.
830		0	_aStudies in performance and early modern drama.
942			_2lcc _cBK
999			_c2711 _d2711