000			03485cam a2200325 i 4500
001			on1139628333
003			OCoLC
007			ta
008			210205s2020 nju b s001 0 eng
010			_a 2020004481
020			_a9781978805118 (paperback)
020			_a197880511X (paperback)
020			_a9781978805125 (hardcover)
020			_a1978805128 (hardcover)
035			_a(OCoLC)1139628333
050			_aPN1995.9.H6 _bW656 2020
245	0	0	_aWomen make horror : _bfilmmaking, feminism, genre / _cedited by Alison Peirse.
260			_aNew Brunswick : _bRutgers University Press, _cc2020.
300			_aviii, 259 p.
504			_aIncludes bibliographical references and index.
505	0		_aWomen Make (Write, Produce, Direct, Shoot, Edit and Analyze) Horror / Alison Peirse -- Stephanie Rothman and Vampiric Film Histories / Alicia Kozma -- Inside Karen Arthur's The Mafu Cage / Alexandra Heller-Nicholas -- The Secret beyond the Door: Daria Nicolodi and Suspiria's Multiple Authorship / Martha Shearer -- Personal Trauma Cinema and the Experimental Videos of Cecelia Condit and Ellen Cantor / Katia Houde -- Self-Reflexivity and Feminist Camp in Freddy's Dead: The Final Nightmare / Tosha R. Taylor -- Why Office Killer Matters / Dahlia Schweitzer -- Murders and Adaptations: Gender in American Psycho / Laura Mee -- Gender, Genre and Authorship in Ginger Snaps / Katarzyna Paszkiewicz -- The Feminist Art-Horror of the New French Extremity / Maddison McGillvray -- Women-Made Horror in Korean Cinema / Molly Kim -- The Stranger with My Face International Film Festival and the Australian Female Gothic / Donna McRae -- Slicing Up the Boys' Club: The Female-Led Horror Anthology Film / Erin Harrington -- The Transnational Gaze in A Girl Walks Home Alone at Night / Lindsey Decker -- Gigi Saul Guerrero and Her Latin American Female Monsters / Valeria Villegas Lindvall -- Uncanny Tales: Lucile Hadžihalilović's Évolution / Janice Loreck -- The (Re)Birth of Pregnancy Horror in Alice Lowe's Prevenge /Amy C. Chambers -- The Rise of the Female Horror Filmmaker-Fan / Sonia Lupher.
520			_a"Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals. With this book we can transform how we think about women filmmakers and genre"
650		4	_aHorror films _xHistory and criticism.
650		4	_aHorror films _xProduction and direction.
650		4	_aWomen motion picture producers and directors.
650		4	_aWomen in the motion picture industry.
650		4	_aFeminism and motion pictures.
700	1		_aPeirse, Alison.
942			_2lcc _cBK
999			_c862 _d862